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It packs impressive SuperSteady image stabilization, too, as well as a class-leading 2.4-inch OLED touchscreen for easy control and framing.

Not only can it create VR-grade video out of the box, but it’s also the first non-pro model from which 360 footage can be cropped down to widescreen format without a big drop in resolution.

Qoocam’s 360 heavyweight outguns all of the competition on resolution, with a pair of 20MP CMOS sensors that work together to capture 8K footage at 30fps and 4K video at up to 200fps. Numbers never tell the whole story, but 8K is a seriously impressive figure in a consumer 360 camera's spec sheet.

But it's a fantastic option for anyone who wants to shoot action sequences in every direction without the hassle of deciding where to point their action camera, then edit it together quickly later. The slightly sub-par 2D video footage (which is the result of it being converted from a fish-eye images) means the Max falls short of being the ultimate GoPro for both 360 and standard footage. The Max also amps up many of the features seen on the GoPro's Hero action cams, including superior HyperSmooth stabilization and 360-degree TimeWarp sequences.

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If you want to turn your 360-degree video into a traditional 2D film – which is one of the main benefits of 360 cams – the app's OverCapture software lets you do this easily, as long as your happy with the final footage being in Full HD. It's waterproof down to five meters without needing a case, and the editing workflow is slick and simple. If you're looking to shoot immersive videos of sporting escapades or outdoor adventures, then the GoPro Max is a good alternative to the Insta360 One X2 close. Add in 10m water resistance – twice that of the GoPro Max – and the Insta360 wins out as the most versatile 360 camera you can buy right now. Our review time revealed the claimed 81-minute battery life to be realistic, too. Insta360’s editing workflow also proved seamless in testing, with diverse and intuitive tools complementing the experience. Once you’re familiar with the interface, though, it’s largely a breeze. We felt its significantly larger 2.29-inch touchscreen made the Insta360 X3 a much easier camera to use handheld, even if there remain a few software quirks to be ironed out. The continued effectiveness of FlowState image stabilization also impressed in testing. While some processing elements can appear more synthetic than a GoPro, we found its Active HDR mode was brilliant at retaining detail in highlights. Pocket-friendly yet powerful, it beats the GoPro Max for single-lens 4K clarity, and excels when it comes to shooting 5.7K 360-degree footage.

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And don’t forget that our widgets always display the latest and best deals too.Īn upgrade to our previous favorite, the Insta360 X3 takes everything great about its predecessor and amps it up a notch. Some are the latest and greatest models, while others are a little older but priced very competitively. Helpfully, we’ve accounted for all of this in our list of the best 360 cameras. The relevance of other features, such as GPS, Wi-Fi and slow-mo modes, will depend on what and how you like to record. This means you can shoot everything that’s going on and select your area of focus when you're back home – particularly useful for fast-moving and unpredictable subjects, such as safari animals of extreme sports enthusiasts. It’s worth remembering, though, that even a relatively high resolution won’t necessarily result in detailed images: because pixels are stretched over a 360-degree frame, the small part you’re viewing might well be less than Full HD.Īlso look at cropping functionality, which allows you to extract a standard ‘flat’ video from the 360-degree footage you’ve captured. The best 360 cameras include features like automatic stitching (which saves you the hassle of manually aligning multiple captures), image stabilization, live-streaming and resolution, which in some cases goes up to 8K. That said, there are plenty of differences between them. Most work by using multiple camera modules – usually two wide-angle lenses back-to-back – to capture footage which can then be digitally combined into a fully spherical video or, more usefully, into a standard two-dimensional video weaved together from frames that you've chosen after the fact.

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